Napalm Records – Metal Eclipse Reviews

Lord Of The Lost – Opvs Noir Vol. 2

Vicky

There are times when I’m starting to feel as if I were a dad wearing an AC/DC T-shirt and wondering why the kids nowadays are big fans of Sleep Token. It’s stupid, I know, but Lord Of The Lost (LOTL, not LOTR, that is) brought that feeling back. Second listen in, and I’m still pretty unsure as to why this band is so popular. Basically, we are dealing with a band that somehow managed to pick up the strangest elements from Mono Inc., Lacrimosa, Deine Lakaien, and Depeche Mode. Blending those with some Electronic-infused Dark/Goth Rock, you get LOTL.

1914 – Viribus Unitis

Metalcatto

Many bands play war Metal, but very few truly understand it. 1914 certainly does, and Viribus Unitis proves once again that it’s more than just another band referencing history. The past two records could easily be considered modern classics, which made me approach this one with a mix of excitement and apprehension. How do you follow up something that already defined your sound so powerfully? And more importantly, how does a band that has built its identity around the horror and futility of war capture a tragedy of this scale without repeating itself? Those were the questions in my mind when I first pressed play.

Frayle – Herectics & Lullabies

Metalcatto

Alright, we’ve had some weird and strange albums lately, so how about we return to something even your little cousin can listen to as an introduction to our dark world. Frayle’s Heretics & Lullabies is an enigmatic album in a way. You see, at first glance, it might feel like this is some Nu-Metal spin-off, but the band tends to dive more into Goth and even Doom Metal constantly, which makes it hard to label — but I guess that’s why I’m here, to put names on things people hate to label themselves. I’ll bite the bullet for you!

Burning Witches – Inquisition

Vicky

I might be subjective, but I love bands whose members are all women. This is why, when I first heard that the fierce ladies in Burning Witches have just released Inquisition, I really wanted to write about it. This Swiss/American/Dutch band plays Heavy and Power Metal and we have to give them credit. So far, they’ve done a fantastic job at it! But how about Inquisition? Let’s see!

Feuerschwanz- Knightclub

Elyna Kahn

Feuerschwanz – Knightclub has been released. At first listen, this work instantly evokes the feeling of “when Metal came to the Shire.” It’s a masterful fusion of technical power, festive energy, honour, joy, mystery, humour, and elegance, all woven together with perfect balance. The sound echoes something you might have heard at Bilbo Baggins’ legendary 111th birthday party—celebration and joy turned into music.

Visions of Atlantis / Armada – Live Over Europe

Elyna Kahn

Visions of Atlantis has been waving the symphonic metal flag for years now, and this time they decided to prove it live. Armada – Live Over Europe is their latest statement, a 19-track beast stitched together from various stops of their 2024 Armada European tour. It’s mostly material from their last two studio raids, Pirates (2022) and Pirates II (2024), released July 14th on vinyl and CD, because apparently these pirates still believe in treasure you can actually hold.

Unleashed – Fire Upon Your Lands

Metalcatto

Unleashed is an institution in Swedish Death Metal. The band was there at the dawn of time, back when everyone played with the same rancid distortion pedal and accidentally created a music subgenre. Fire Upon Your Lands is supposed to be a health check for a band that still feels fresh despite its years. I know — a Swedish band singing about Viking stuff already feels like raining over the ocean, but when you have such a classic act, things can go either really well or make you regret being a Metalhead. Let’s see which one we end up with here, ok? Wish me luck.

Lord of the Lost – OPVS NOIR Vol 1.

Metalcatto

Well, here we go again. We’ve actually got another band that was in Eurovision. Lord of the Lost is a kind of Gothic Metal act that caters to the edgy kids who never quite moved past harsh vocals in their Metal journey. So, you might be wondering—am I just covering Opus Noir Vol. 1 to vent my deeply rooted intolerance for the mainstream world? Maybe. But that doesn’t mean I won’t try to be fair.

Dropout Kings – Yokai

Metalcatto

I’m going to try something new and difficult for once. First, reviewing Dropout Kings’ Yokai, which is the closest we’ve come to covering a completely different music genre. Second, being honest yet respectful, given the irreplaceable human loss the band has recently suffered. So, despite my deep-seated disdain for most Nu-Metal or Hip-Hop, I’m willing to change (unlike your parents!). Let’s dive in—because that cover art promises madness.

Alestorm – The Thunderfist Chronicles

Vicky

You’ve probably heard about Alestorm before. As a long-time fan of these pirate Metal titans, I had to listen the moment I heard they were about to release a new album. Your average Alestorm listener knows the band has evolved from a Running Wild-esque Heavy/Power Metal act with lyrics about pirates, alcohol, and battles to a more Power Metal-oriented sound—while keeping the same lyrical themes. Over time, the band has embraced humor too (who can forget the deluxe edition of 2017’s No Grave But the Sea, which included “dog versions” of all the songs?). That’s why one wouldn’t be too wrong in saying Alestorm is to Running Wild what NanowaR of Steel is to Rhapsody of Fire: initially a parody that eventually gained worldwide recognition and became a cult favorite.