Pegah
“If you want a picture of the future, imagine a boot stamping on a human face—forever.” ― George Orwell, 1984
Caprahed – Empire
Tag: Self-release
Obscure Sphinx – Emovere
Stargazer Scholar
Every genre has its stalwarts—the defining bands. Artists who pioneered the movement or managed to establish themselves as a beacon of quality for everyone aspiring to navigate similar sonic terrains. Poland’s Obscure Sphinx, with three excellent full-length albums and a few live releases under its belt, may be standing on the shoulders of the giants that came before, but the uncompromising, visceral talent of this Atmospheric Sludge Metal combo should have long ago earned it a place in the genre’s pantheon. But since the band, true to its name, remains underground, let me try to right this wrong by covering its newest mini-album.
Watch My Dying – Egyenes Kerőlő
I promise I have no Central/Eastern European agenda this year—it’s just what makes sense to review as the quiet month of January moves along. Watch My Dying is a Hungarian band with a long career, and at first, I wasn’t sold on the idea of listening to some strange industrial experiment. But Egyenes Kerőlő caught my attention when I read in the promo that they had collaborated with Thy Catafalque. You know we love anything that project puts out. Still, I wasn’t expecting a bootleg of that band—I wanted something more!
Druparia – The River Above
It’s that time of the year when everyone in our deranged community swallows a pack of stimulants and tries to assemble an end-of-year list. Because why not? Why not put yourself through this absurd stress right when you’re (hopefully) on holiday? Anyway, in another attempt to procrastinate this thankless task, I’m reviewing Druparia’s The River Above. I’m feeling generous, and a unsigned band releasing a debut at the end of the year feels fitting for the season. Let’s go—I have a Christmas dinner to eat!
Thunraz – Incineration Day
You look at that name, you look at that art, you even look at the few band members, and you know that Thunraz’s Incineration Day isn’t going to be an easy ride. It’s not going to be chill or fun. This looks like a trip straight into hell—everything unholy and obscene. But am I exaggerating? Am I falling for the solid marketing job by its creators? In a year brimming with complex and impressive Disso-Death, Thunraz will need something truly distinctive to stand out among the heavyweights. Enough talk—let’s dive in!
Witnesses – Joy
Pegah
“Suppose that pleasure and pain are so intertwined that whoever wants as much as possible of the one must also have as much as possible of the other – that whoever wants to know ‘rejoicing to heaven’ must be prepared for ‘grieving onto death’ as well?“
― Friedrich Nietzsche
Oriska – Oriska
In the sea of heavy releases we have this autumn, sometimes I feel like giving a chance to the little guy. It’s not the first time we do it, Oriska isn’t new here, it’s a True kvlt darling, but there was something else about Oriska‘s self-titled album that drew me into the bleak, crushing depths of its Post-Metal, where soundscapes feel as cold and isolating as missing the last train at midnight in the dead of winter. If you don’t relate—lucky you. But let me share my thoughts on Oriska anyway!
Melted Bodies – The Inevitable Fork
Alright, people, this isn’t going to be our usual review because Melted Bodies is a band so strange and out-of-pocket (in the best way!) that I’m still trying to wrap my head around The Inevitable Fork. Like, what even is that album title? What does it mean? If you think the band is as bizarre as its album art suggests, let me tell you—yes, but maybe not in the way you’d expect. I’ll elaborate a bit to guide you through this journey into the depths of absurdity.
ASCIAN – Sing To Me, Sweet Void
Enough happy times and enjoyable music. It’s time for us to sink into the deepest despair and cry a river of tears. I hope this gloomy intro got your attention because thanks to ASCIAN (don’t confuse it with Asian, you monster!), we’re only going down from here—into more weeping and unfathomable sadness, of course. Right, we’re also here to try to grasp the quality of Sing to Me, Sweet Void (uplifting title, right?). Prepare those tissues, because you might need them by the time we’re done.
Black sites – The Promised Land?
Let’s face it: old-school Heavy Metal sucks. Now that I have your attention, let me tell you that Black Sites is the biggest exception to this rule. Ever since In Monochrome, this band has put out banger after banger, avoiding the common tropes and typical corniness of the genre. Plus, it has its Prog moments! And that never hurts. However, The Promised Land? comes in quietly, maybe because of all the comparisons it’s going to face with other great albums, or maybe because you haven’t done your research and aren’t hyping this band as much as you should. Either way, let’s see if this album delivers!
Metal Eclipse Reviews 