review – Page 10 – Metal Eclipse Reviews

Unleashed – Fire Upon Your Lands

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Unleashed is an institution in Swedish Death Metal. The band was there at the dawn of time, back when everyone played with the same rancid distortion pedal and accidentally created a music subgenre. Fire Upon Your Lands is supposed to be a health check for a band that still feels fresh despite its years. I know — a Swedish band singing about Viking stuff already feels like raining over the ocean, but when you have such a classic act, things can go either really well or make you regret being a Metalhead. Let’s see which one we end up with here, ok? Wish me luck.

Blackbraid – Blackbraid III

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Our favorite Black/Folk act that’s not really that Folk is here! Most of us were there when Blackbraid took the Metal world by storm with a short, effective album that captured our imagination. It was Black/Folk that didn’t bastardize its own roots — no gimmicks, just music as a tool to tell a story. Then Blackbraid II hit us, showing the full potential of a project that kept people debating the real cultural background of its creator. Personally, I have little interest in judging people’s identities; as long as they treat the matter with respect, I have no problem. So, can Blackbraid III surprise us?

An Abstract Illusion – The Sleeping City

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I was there when An Abstract Illusion released Illuminate the Path and blew me away. Little did I know the band could reach even greater heights with Woe. Ever since Opeth traded Progressive Death Metal for Dadcore, Sweden hasn’t had a band to carry that torch. Meanwhile, scenes in Australia, Norway, and Germany have been thriving, building names of their own. But it was about time someone from the land of meatballs and cinnamon buns responded with authority. The Sleeping City could be that answer. The catch? The band is stepping into an almost impossible challenge. I mean, Woe was the Prog album of 2022, right? Let’s go.

Adur – We Fail to Love Ourselves

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Adur is walking a thin line for me. No, it hasn’t done anything wrong, and it hasn’t made awful music either. But it’s offering Post-Metal that deeply resembles Amenra and Cult of Luna—two bands I absolutely worship—which means We Fail to Love Ourselves has a tough battle ahead if it’s going to impress me. It’s not a competition, but comparisons are inevitable. And honestly, there aren’t many things I want more than a Post-Metal band that hits me hard in the feels instead of just giving me lounge Rock disguised as “atmospheric.” Let’s dive in.

Trudger – Void Quest

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Sometimes you miss the decadence of urban life—the filth that makes you feel alienated, and yet, it’s the only home you know. Why am I starting this so seriously? Where are all the jokes? You see, when Trudger came to us with Void Quest, I quickly realized this band shares members with Dvne (one of my top Prog albums of 2024). The promise was that this would be even darker and heavier, so obviously, I’m more excited than a drunkard in a liquor store (stop it! Get some help!). So let’s go!

Releases that almost fell through the cracks: Jonhatan Tenerini, Sylvie Fisichella, & Acid Age

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Hi there! It’s about time we check what we’ve missed this year. We get thousands of promos, and some good stuff is bound to end up in the junk folder—or worse, just buried under all the PR. Anyway, I wanted to focus on the peculiar Prog music that hasn’t had as much attention as it should so far. Notice I’m just using the term “Prog” generally instead of “people who play wacky music that will demand a music degree from you.” But let’s stop wasting time and begin!

Rauhnåcht – Zwichenwelten

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Here we go again—everyone’s favorite niche genre: Black Metal solo projects. But before you run away like you owe me money, let me tell you that Rauhnåcht actually has a label, plays more Folk than Atmospheric, and the production is surprisingly acceptable. That should be enough to entice you—or, if you’re Ixone, to totally disappoint you. Either way, let’s find out what Zwischenwelten is all about. We all have things to do and places to be, after all.

Crimson Butchery – Stalker

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Alright people, it’s been a few days of me reviewing popular bands that have almost made me regret this job. I need the underground to restore my faith in Metal! Luckily, Crimson Butchery brings us Stalker straight from the depths of hell. I mean that—just look at that grotesque artwork. The real question for me was whether the production would do justice to the music or just make it all disgusting in the wrong way. Let’s find out!

Lord of the Lost – OPVS NOIR Vol 1.

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Well, here we go again. We’ve actually got another band that was in Eurovision. Lord of the Lost is a kind of Gothic Metal act that caters to the edgy kids who never quite moved past harsh vocals in their Metal journey. So, you might be wondering—am I just covering Opus Noir Vol. 1 to vent my deeply rooted intolerance for the mainstream world? Maybe. But that doesn’t mean I won’t try to be fair.

Dropout Kings – Yokai

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I’m going to try something new and difficult for once. First, reviewing Dropout Kings’ Yokai, which is the closest we’ve come to covering a completely different music genre. Second, being honest yet respectful, given the irreplaceable human loss the band has recently suffered. So, despite my deep-seated disdain for most Nu-Metal or Hip-Hop, I’m willing to change (unlike your parents!). Let’s dive in—because that cover art promises madness.