Self-release – Page 4 – Metal Eclipse Reviews

Executionist – Sacrament of the Sick

Metalcatto

It’s been a while since we checked out some Thrash. I must say, this year hasn’t been all that bad in that area, but Thrash comes and goes in waves, and this one hasn’t impressed all that much yet. Yes, Stargazer liked the new Warbringer, but I was just OK with it. However, Executionist is debuting with Sacrament of the Sick, and I’m always in the mood to give young bands the opportunity to surprise me—even if it rarely happens. The real question is: will this project have anything novel to add to one of the most explored styles in Metal?

True kvlt special: Blunt Knife Castration – Live Fast, Die Slow

Pegah

The British band, Blunt Knife Castration, make their debut with Live Fast, Die Slow, a record that claws its way through the Sludge and grime of modern heaviness with a defiant, bloodshot snarl. The cover sets the tone: a crumpled figure, his back to us in apparent frustration, barbed wire wrapped around his head like a halo—at once a symbol of suffering, oppression, and the denial of freedom. Similarly, the band’s lyrical themes lean into nihilism and decay, a perfect match for the album’s title. Vocally, it’s a serrated edge—equal parts Hardcore bark and Crust Punk bile.

True kvlt special: Bragging Rights – A Personal Curse

Metalcatto

In reviewing—like in science—we should disclose any conflicts of interest (you think Big Pharma pays me/us to promote meds? I wish…), but I digress. The point is that after I reviewed Bragging Rights‘ previous outlet—which, of course, I forgot to include in our list of best cover arts of the year—we’ve developed a friendly rapport that could ruin my objectivity as a reviewer. Which is why this review is going to be a satirical endeavor.

Vermillia – Karsikko

Stargazer Scholar

The world was a different place seven years ago. At least when it comes to its currently troubled corner that I happen to inhabit. No joys of pestilence, no thrills of societal cataclysms, just life in all its glorious bleakness and naive hopefulness. It was a genuinely decent time. I’ve seen worse. And it was in that relatively peaceful summer of 2018 that I stumbled upon an album premiere video by a certain one-woman Pagan Black Metal project from Finland. The artist’s name was Vermilia, the record was entitled Kätkyt, and it took me about a song and a half to fall in love, pause the stream, relocate to her Bandcamp page, and click “order”. That’s how I became a fan. Years rolled by, and here we are in 2025, with Vermilia’s third LP fresh from the metaphorical oven and waiting to be discovered.

OBRIJ – Joseph

It’s time for a debut album, my Metal grasshoppers! When I was reading OBRIJ’s promo, I was led to believe that Joseph would totally throw me out of my comfort zone, since it was supposed to have a ton of Hardcore influences. Yet, it was still a Death Metal album, and that always hits home for me. Plus, this work explores the atrocities of Comrade Stalin. There’s no way that horror isn’t Metal enough for us, but as a new band, I still wondered if these guys were capable of pulling anything interesting off. Stay with this cat and find out.

Blood Cult – We’re Gonna Take Your Soul

Yeah, kids, I wasn’t sure what to make of this cover art. You’d think this album is some kind of weird, washed-out Nu-Metal that’s going to give us the wrong kind of pain, but you’d not only be wrong—you’d also be surprised! Because Blood Cult is an old-school Heavy Metal band that takes you straight back to the early days, and I mean 1970s early. Many of your parents weren’t even born yet, but We’re Gonna Take Your Soul is pure Redneck Black Metal, offering a strange and possibly unique interpretation of those drugged-out times.

Caprahed – Empire

Pegah

“If you want a picture of the future, imagine a boot stamping on a human face—forever.” ― George Orwell, 1984

Obscure Sphinx – Emovere

Stargazer Scholar

Every genre has its stalwarts—the defining bands. Artists who pioneered the movement or managed to establish themselves as a beacon of quality for everyone aspiring to navigate similar sonic terrains. Poland’s Obscure Sphinx, with three excellent full-length albums and a few live releases under its belt, may be standing on the shoulders of the giants that came before, but the uncompromising, visceral talent of this Atmospheric Sludge Metal combo should have long ago earned it a place in the genre’s pantheon. But since the band, true to its name, remains underground, let me try to right this wrong by covering its newest mini-album.

Watch My Dying – Egyenes Kerőlő

I promise I have no Central/Eastern European agenda this year—it’s just what makes sense to review as the quiet month of January moves along. Watch My Dying is a Hungarian band with a long career, and at first, I wasn’t sold on the idea of listening to some strange industrial experiment. But Egyenes Kerőlő caught my attention when I read in the promo that they had collaborated with Thy Catafalque. You know we love anything that project puts out. Still, I wasn’t expecting a bootleg of that band—I wanted something more!

Druparia – The River Above

It’s that time of the year when everyone in our deranged community swallows a pack of stimulants and tries to assemble an end-of-year list. Because why not? Why not put yourself through this absurd stress right when you’re (hopefully) on holiday? Anyway, in another attempt to procrastinate this thankless task, I’m reviewing Druparia’s The River Above. I’m feeling generous, and a unsigned band releasing a debut at the end of the year feels fitting for the season. Let’s go—I have a Christmas dinner to eat!